The Time Machine | |
---|---|
First edition cover |
|
Author | H. G. Wells |
Cover artist | Ben Hardy |
Country | United Kingdom |
Language | English |
Genre(s) | Science fiction novel |
Publisher | William Heinemann |
Publication date | 1895 |
Media type | Print (Hardback and Paperback) |
ISBN | NA |
The Time Machine is a science fiction novella by H. G. Wells, published in 1895 for the first time and later adapted into at least two feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It indirectly inspired many more works of fiction in many media. This 32,000 word story is generally credited with the popularisation of the concept of time travel using a vehicle that allows an operator to travel purposefully and selectively. The term "time machine", coined by Wells, is now universally used to refer to such a vehicle. Wells introduces an early example of the Dying Earth subgenre as well.
Contents |
Wells had considered the notion of time travel before, in an earlier (but less well-known) work titled The Chronic Argonauts. He had thought of using some of this material in a series of articles in the Pall Mall Gazette, until the publisher asked him if he could instead write a serial novel on the same theme; Wells readily agreed, and was paid £100 on its publication by Heinemann in 1895. The story was first published in serial form in the New Review through 1894 and 1895. The book is based on the Block Theory of the Universe, which is a notion that time is a fourth space dimension.
The story reflects Wells's own socialist political views and the contemporary angst about industrial relations. It is also influenced by Ray Lankester's theories about social degeneration[1]. Other science fiction works of the period, including Edward Bellamy's Looking Backward, and the later Metropolis, dealt with similar themes.
The book's protagonist is an English scientist and gentleman inventor living in Richmond, Surrey, identified by a narrator simply as the Time Traveller. The narrator recounts the Traveller's lecture to his weekly dinner guests that time is simply a fourth dimension, and his demonstration of a tabletop model machine for travelling through it. He reveals that he has built a machine capable of carrying a person, and returns at dinner the following week to recount a remarkable tale, becoming the new narrator:
The Time Traveller tests his device with a journey that takes him to the year A.D. 802,701, where he meets the Eloi, a society of small, elegant, androgynous, and childlike people. They live in small communities within large and futuristic yet slowly deteriorating buildings, doing no work and having a frugivorous diet. His efforts to communicate with them are hampered by their lack of curiosity or discipline, and he concludes that they are a peaceful communist society, the result of humanity conquering nature with technology, and subsequently evolving to adapt to an environment in which strength and intellect are no longer advantageous to survival.
Returning to the site where he arrived, the Time Traveller finds his time machine missing, and eventually works out that it has been dragged by some unknown party into a nearby structure with heavy doors, locked from the inside. Later in the dark, he is approached menacingly by the Morlocks, pale, apelike people who live in darkness underground, where he discovers the machinery and industry that makes the above-ground paradise possible. He alters his theory, speculating that the human race has evolved into two species: the leisured classes have become the ineffectual Eloi, and the downtrodden working classes have become the brutish light-fearing Morlocks. Deducing that the Morlocks have taken his time machine, he explores the Morlock tunnels, learning that they feed on the Eloi. His revised analysis is that their relationship is not one of lords and servants but of livestock and ranchers, and with no real challenges facing either species. They have both lost the intelligence and character of Man at its peak.
Meanwhile, he saves an Eloi named Weena from drowning, and they develop an innocently affectionate relationship over the course of several days. He takes Weena with him on an expedition to a distant structure that turns out to be the remains of a museum, where he finds a fresh supply of matches and fashions a crude weapon against Morlocks, whom he fears he must fight to get back his machine. But the long and tiring journey back to Weena's home is too much for them, they are overcome by Morlocks in the night, and Weena is injured. The Traveller escapes only when a small fire he had left behind them to distract the Morlocks catches up to them as a forest fire; Weena is lost to the fire.
The Morlocks use the time machine as bait to ensnare the Traveller, not understanding that he will use it to escape. He travels further ahead to roughly 30 million years from his own time. There he sees some of the last living things on a dying Earth, menacing reddish crab-like creatures slowly wandering the blood-red beaches of a world covered in simple vegetation. He continues to make short jumps through time, seeing Earth's rotation gradually cease and the sun grow dimmer, and the world falling silent and freezing as the last degenerate living things die out.
Overwhelmed, he returns to his laboratory, at just three hours after he originally left. Interrupting dinner, he relates his adventures to his disbelieving visitors, producing as evidence two strange flowers Weena had put in his pocket. The original narrator takes over and relates that he returned to the Time Traveller's house the next day, finding him in final preparations for another journey. The Traveller promises to return in half an hour, but three years later, the narrator despairs of ever learning what became of him.
A section from the 11th chapter of the serial published in New Review (May, 1895) was deleted from the book. It was drafted at the suggestion of Wells's editor, William Ernest Henley, who wanted Wells to "oblige your editor" by lengthening out the text with, among other things, an illustration of "the ultimate degeneracy" of man. "There was a slight struggle," Wells later recalled, "between the writer and W. E. Henley who wanted, he said, to put a little 'writing' into the tale. But the writer was in reaction from that sort of thing, the Henley interpolations were cut out again, and he had his own way with his text." [2] This portion of the story was published elsewhere as The Grey Man. This deleted text was also published by Forrest J. Ackerman in an issue of the American edition of Perry Rhodan.
The deleted text recounts an incident immediately after the Traveller's escape from the Morlocks. He finds himself in the distant future of an unrecognisable Earth, populated with furry, hopping herbivores. He stuns or kills one with a rock, and upon closer examination realises they are probably the descendants of humans/Eloi/Morlocks. A gigantic, centipede-like arthropod approaches and the Traveller flees into the next day, finding that the creature has apparently eaten the tiny humanoid.
The first visual adaptation of the book was a live teleplay broadcast from Alexandra Palace on 25 January 1949 by the BBC, which starred Russell Napier as the Time Traveller and Mary Donn as Weena. No recording of this live broadcast was made; the only record of the production is the script and a few black and white still photographs. A reading of the script, however, suggests that this teleplay remained fairly faithful to the book.
The CBS radio anthology Escape adapted The Time Machine twice, in 1948 starring Jeff Corey, and again in 1950 starring John Dehner. In both episodes a script adapted by Irving Ravetch was used. The Time Traveller was named Dudley and was accompanied by his skeptical friend Fowler as they travelled to the year 100,080.
George Pal (who also made a famous 1953 "modernised" version of Wells's The War of the Worlds) filmed The Time Machine in 1960. Rod Taylor (The Birds) starred, along with Yvette Mimieux as the young Eloi, Weena, Alan Young as his closest friend David Filby (and, in 1917 and 1966, his son James Filby), Sebastian Cabot as Dr Hillyer, Whit Bissell as Walter Kemp and Doris Lloyd as his housekeeper Mrs Watchett. The Time Traveller is addressed as George. The plate on the Time Machine which he builds, is inscribed 'Manufactured by H. George Wells'. This is clearly visible and easily read whenever the date indicator panel is shown in the film. The location is not stated anymore precisely than in the south of England, but is near a sharp bend of the river Thames, so is presumably still Richmond, Surrey.
This is more of an adventure tale than the book was; The story begins with the Time Traveller returning from his trip, unkempt and in disarray. He relates to his friends of what he has witnessed: wars' horrors first-hand in June, 1940 over London and a nuclear bomb in August, 1966. Travelling to 802,701 A.D., he finds world has settled into a vast garden. He meets the pacifist, illiterate and servile Eloi, who speak broken English, and have little interest in technology or the past. Their brethren from long ago, the Morlocks, however, although technologically competent, have devolved into cannibalistic underground workers. He deduces the division of mankind resulted from mutations induced by nuclear war - periodic air-raid sirens cause Weena and many Eloi to instinctively report to underground shelters run by the Morlocks. The Time Traveller goes down to rescue them, and encourages a leader among them to help them escape. Having escaped, and after throwing dead wood into the holes on the surface to feed a growing underground fire, they retreat to the river as underground explosions cause a cave-in. After getting to his machine, he is trapped behind a closed door with several Morlocks, whom he has to fight in order to escape. Battered, he makes it back to his scheduled dinner the next Friday January 5, 1900.
After relating his story, the Time Traveller leaves for a second journey, but Filby and Mrs Watchett note that he had taken three books from the shelves in his drawing room. Filby comments that George must've had a plan for a new Eloi civilisation. "Which three books would you have taken?" Filby inquires to Mrs. Watchett, adding " ... he has all the time in the world."
The film is noted for its then-novel use of time lapse photographic effects to show the world around the Time Traveller changing at breakneck speed as he travels through time. (Pal's earliest films had been works of stop-motion animation.)
Thirty-three years later, a combination sequel/documentary Time Machine: The Journey Back (1993 film), directed by Clyde Lucas, was produced. Rod Taylor hosted, with Bob Burns (also Ex Producer), Gene Warren Sr. and Wah Chang as guests. Michael J. Fox (who had himself portrayed a time traveller in the Back to the Future trilogy) spoke about time travelling in general. In the second half, written by original screenwriter David Duncan, the movie's original actors Rod Taylor, Alan Young and Whit Bissell reprise their roles. The Time Traveller returns to his laboratory in 1916, finding Filby there, and encourages his friend to join him in the far future — but Filby has doubts. (Time Machine: The Journey Back is featured as an extra on the DVD release of the 1960 film).
This film, produced and directed by Arnold Leibovit, is a biopic of George Pal. It contains a number of filmed elements from Pal's 1960 film version of The Time Machine.
A TV version was made in 1978, with time-lapse images of building walls being de-constructed, and geographic shifting from Los Angeles to Plymouth, Mass., and inland California. John Beck starred as Neil Perry, with Whit Bissell (from the original 1960 movie and also one of the stars of the 1966 television series The Time Tunnel) appearing as one of Perry's superiors. Though only going a few thousand years into the future, Perry finds the world of the Eloi and Morlocks, and learns the world he left will be destroyed by another of his own inventions. The character Weena was played by Priscilla Barnes of Three's Company fame.
In 1994 an audio drama was published on CD by Alien Voices, starring Leonard Nimoy as the Time Traveller (named John) and John de Lancie as David Filby. John de Lancie's children, Owen de Lancie and Keegan de Lancie, played the parts of the Eloi. The drama is approximately two hours long. Interestingly, this version of the story is more faithful to Wells's novella than either the 1960 movie or the 2002 movie.
The 1960 film was remade in 2002, starring Guy Pearce as the Time Traveller, a mechanical engineering professor named Alexander Hartdegen, Mark Addy as his colleague David Filby, Sienna Guillory as Alex's ill-fated fiancée Emma, Phyllida Law as Mrs. Watchit, and Jeremy Irons as the uber-Morlock. Playing a quick cameo as a shopkeeper was Alan Young, who featured in the 1960 film. (H.G. Wells himself can also be said to have a "cameo" appearance, in the form of a photograph on the wall of Alex's home, near the front door.)
The film was directed by Wells's great-grandson Simon Wells, with an even more revised plot that incorporated the ideas of paradoxes and changing the past. The place is changed from Richmond, Surrey, to downtown New York City, where the Time Traveller moves forward in time to find answers to his questions on 'Practical Application of Time Travel;' first in 2030 New York, to witness an orbital lunar catastrophe in 2037, before moving on to 802,701 for the main plot. He later briefly finds himself in 635,427,810 with toxic clouds and a world laid waste (presumably by the Morlocks) with devastation and Morlock artefacts stretching out to the horizon.
It was met with generally mixed reviews and earned $56 million before VHS/DVD sales. The Time Machine used a design that was very reminiscent of the one in the Pal film, but was much larger and employed polished turned brass construction, along with rotating quartz/glasses reminiscent of the light gathering prismatic lenses common to lighthouses (In Wells's original book, the Time Traveller mentioned his 'scientific papers on optics'). Weena makes no appearance; Hartdegen instead becomes involved with a female Eloi named Mara, played by Samantha Mumba. In this film, the Eloi have, as a tradition, preserved a "stone language" that is identical to English. The Morlocks are much more barbaric and agile, and the Time Traveller has a direct impact on the plot.
Robert Glenister stars as the Time Traveller, with William Gaunt as H. G. Wells in a new 100-minute radio dramatisation by Philip Osment, directed by Jeremy Mortimer as part of a BBC Radio Science Fiction season. This was the first adaptation of the novel for British radio. It was first broadcast on 22 February 2009 on BBC Radio 3[3]. The other cast was:
The adaptation retained the nameless status of the time traveller and set it as a true story told to the young Wells by the time traveller, which Wells then re-tells as an older man to the American journalist Martha whilst firewatching on the roof of Broadcasting House during the Blitz. It also retained the deleted ending from the novel as a recorded message sent back to Wells from the future by the traveller using a prototype of his machine, with the traveller escaping the anthropoid creatures to 30 million AD at the end of the universe before disappearing or dying there.
The Time Machine was featured in an episode of the PBS children's show Wishbone, entitled "Bark to the Future". Wishbone plays the role of the Time Traveller, where he meets Weena, takes her to an ancient library, and confronts the Morlocks. The parallel story has Wishbone's owner, Joe, relying on a calculator to solve percentage problems rather than his own intellect, recalling the mindset that created the lazy Eloi.
Wells's novella has become one of the cornerstones of science-fiction literature. As a result, it has spawned many offspring. Works expanding on Wells's story include:
Although the Time Traveller's real name is never given in the original novel, other sources have named him.
One popular theory, encouraged by movies like Time After Time and certain episodes of the hit show Lois and Clark: The New Adventures of Superman, is that the Time Traveller is meant to be none other than H. G. Wells himself. Indeed, in the George Pal movie adaptation of The Time Machine, his name is given as George (also H. G. Wells's middle name). Due to the clarity of the DVD image, 'H.G. Wells' can be seen on the control panel of the device, making it obvious that the film's Time Traveller is H.G. Wells.
In Simon Wells's 2002 remake, the Time Traveller is named Alexander Hartdegen.
In The Time Ships, Stephen Baxter's sequels to The Time Machine, the Time Traveller encounters his younger self via time travel, who he nicknames 'Moses'. His younger self reacts with embarrassment to this. "I held up my hand; I had an inspiration. "No. I will use - if you will permit-Moses." He took a deep pull on his brandy, and gazed at me with genuine anger in his gray eyes. "How do you know about that?" Moses - my hated first name, for which I had been endlessly tormented at school-and which I had kept a secret since leaving home!" Page 137 in The Time Ships by Stephen Baxter. This is a reference to H.G. Wells's story "The Chronic Argonauts", the story which grew into The Time Machine, in which the inventor of the Time Machine is named Dr. Moses Nebogipfel. (The surname of Wells's first inventor graces another character in Baxter's book, as explained above.)
The Hartford Manuscript, another sequel to The Time Machine, gives the Time Traveller's name as Robert James Pensley.
Doc Savage: His Apocalyptic Life by Philip José Farmer gives the Time Traveller's name as Bruce Clarke Wildman.
The Rook comic book series gives the Time Traveller's name as Adam Dane.
In the Doctor Who comic strip story "The Eternal Present", the character of Theophilus Tolliver is implied to be the Time Traveller of Wells's novel.
Also featured in Doctor Who is Wells, himself, appearing in the television serial Timelash. The events of this story are portrayed has having inspired Wells to write The Time Machine.
|